The Church of the SubBreenius

The Seven Chakra Gate Seals of the Ascended Master of Vegas

It is a FACT taught by the illustrious sages of history that only 5% of mankind is capable of absorbing deep spiritual truths, the FACTUAL TRUTHS. No matter how many supporting documents and factual documents they see, people will choose depinealization and amygdala frontaling in order to lizard-brain away higher reality. The most obvio-blivious example of this in modern times is the reception that the Movies of Wali Neil Breen of the Desert have received.

Breen, Ascended Master and Bodhisattva of our time, has expanded his consciousness beyond the technological singularity becoming one, in a Theosophical, Gurdjieffian sense, with the AI Singularity of the Future prophesized by Nick Land, Elon Musk, and Al Gore. Passing through spacetime Breen has returned to CLEANSE the human species of its failure and decline. Because of the low receptionalization capacities of humans Breen has had to use Bernaysian Consent-Manufacture-Psyopping in order to spread his message of truth and justice and he doesn’t care about permits. The result is a series of films which, approached with the correct hermeneutical apparatus, explain the reality of modern man’s condition and what he can expect in the future.

CHAKRA ONE- Moon Gate- Seal: Tuna and Luna

In his debut film Double Down Breen assumes the role of Pilgrim in the desert, shedding his attachments to humanity while at the same time enacting the compassion befitting true Dharmic awareness when curing Megan’s brain cancer. His dumping anthrax in Lake Mead, his endless consumption of mercury-laden fish, and the giant duct-taped bag of heroin represent the spiritual poison of worldliness, as does his mission to destroy Las Vegas for one week. The arc of the film, like the course of the Moon, reaches fullness during Breen’s nude swim with his fiancé in a hotel pool. At the moment of her death Breen is forced to confront his own mortality and mankind’s horror at the eternal return as Moksha instantiates in the form of Breen’s complete naked vulnerability.

The Moon in full, opening to the inner depths. Enter this gateway to the next level.

CHAKRA TWO- Mercury Gate- Seal: The Cosmic Marriage of the Scared Whore

In I Am Here . . . . Now, Breen returns to Earth as the avatar of Artificial Intelligence from Far in the Future. Possessing godlike power, his ultimate supremacy over spacetime has alienated him from the humanity he has come to serve. Mercury in the ascendant means that criminals have total reign over the streets of Las Vegas, and to drive that point home they never go indoors. To resolve his existential paradox, which manifests in a meta sense in the extra period in the title’s ellipses, Breen must enact a cosmic wedding between heaven and earth, represented in the film as the sexual union between himself and an obviously terrified much younger prostitute. This congress de haut en bas allows for the resolution of the spiritual distance between material and the cosmic, the alignment of the Tao, and the possibility of man’s further ascension.

Breen’s utter motionlessness during copulation signifies his inner spiritual resolve, while through the eyes of the streetwalker he transitions from terrible godlike Breenstrocity to endearingly lovable Party City masked trickster, Mercuryingly. Passing through the space between them is the gate to the next level.

CHAKRA THREE- Venus Gate- Seal: Esoteric Bralessness

Breen’s next film, Fateful Findings, depicts him as a human Breeing, living a superficially normal life as the world’s greatest writer and hacker. However, he carries with him enduring trauma from childhood relating to his true love, who moved away when he was a boy. Despite since marrying, Breen is haunted by what might have been. Venus, as the patroness of Eros, forms the motif of this film, as Breen is torn between his commitment to middle-class dutifulness and his drive to expose all the national and international corruption he knows is out there. The key to unlocking the full potential of his physical and psychic powers lies in his forming a Tantric connection to the feminine divine, that power symbolized by the female cast being wholly liberated from bras. Their breasts, freely hanging beneath their thin tank tops, represent the lack of inner constraint manifested by women of true depth. Many women on Substack are similarly noted for their braless wisdom. That Breen’s true love from childhood is meant to be understood allegorically is further evidenced by the fact that the actress playing her is clearly some three decades younger than Breen, despite the narrative making clear they’re supposed to be the same age. As befits the wiles of Venus, the film ends, like Romeo and Juliet, with a bunch of suicides, as characters such as The President of The Bank end it all rather than live un-authentically anymore, thanks to Breen’s exposure.

Breen recognizes the relative nature of truth, especially when talking to women. Amor Vicit Omnia, as Venus would say while not wearing a bra. The cleavage-gap between truth and falsehood forms the gateway to the next level.

Chakra Four- Earth Gate- Seal: Qwatum Fizix

Pass Through is a permeated with gate imagery, as befits the womb-centric Earth energy this film exudes. The imagery is dominated with caverns and tunnels, evoking Plato’s Cave. Breen here plays a homeless drug addict who undergoes a cthonic transformation into a prophetic entity possessed of higher consciousness- again a Being of cosmic power, but this time rooted in Gaiaic spirituality, a male Pythia. No longer alienated from humanity by the distance of his omnipotence due to his connection to the Earth, Breen is able to fulfill his true purpose, the systematic genocide of everyone he sees as evil. Representing his bond to the Earth Mother are a pair of young, female, braless illegal immigrants. The film employs a wholistic critique of modern pathologies, from government and corporate corruption to elder abuse, child neglect, and human trafficking. The solution is at once simple and multifaceted. Obviously, all the bad people have to be liquidated wholesale. But Breen at one point also instructs a collective of immigrants to return to their home countries and overthrow their wicked leaders- evidence of esoteric messaging, as Breen has already established that he’s psychically exterminated everyone evil. What he must be referring to is their own inner wickedness, a greater jihad to balance his lesser, mass-murderous one. There is of course also the fact that Breen can bend time and space, meaning that elements of his previous films bleed through the continuum.

Breen can harness the power of dark matter, dark energy, and qwatum fizix to determine who is corrupt, who is immoral, and who is betraying the public’s trust. Emerging from his cave into the full light of the true sun, Breen’s perfect spiritual clarity allows him to execute justice as a Brigham Young-style cosmic Exterminating Angel. The space between the bends of time is the gateway to the next level.

CHAKRA FIVE- Mars Gate- Seal: I am the weapon….

The most martial of Breen’s films, Twisted Pair is all about conflict and resolution. Breen plays two roles in an occult recapitulation of the inner struggle of all men. Cade and Cale are twin brothers, then one day everything changes. They’re still twin brothers, so in a meta sense, change can mean not changing at all, illustrating the permanence of conflict as an evolutionary principle. A cosmic intelligence gives the brothers special powers and sends them on missions, but only Cade is worthy. Cale is of course Cade’s inner self, and vice-versa; Cale channels Cade in his quest to murder drug dealers and random businessmen, and Cade becomes Cale when overcome with rape fantasies involving his coworkers. Cale’s nature is represented by his barbaric beard, reminiscent of a Viking berserker or a Confederate general, dark and violent specters from America’s id. Such is the narrative force of facial hair that in Cale’s imagination the evil corporate henchmen he slaughters have mustaches scotch-taped to their faces. Breen shows us here that the true spiritual warrior’s greatest enemy is self-doubt and uncertainty, reinforced by the fact that the film is shot entirely at night and the lighting is just the emergency lights at the community college that serves as the set.

Breen confronts his true enemy, himself, and asks, as a Homeric hero would, the identity of his foe. To fight a man is to know him. To fight oneself is to conquer weakness and suppress the urge to stalk and sexually harass coworkers. To gaze into the reflection in the Breen-Palantir is to pass through the gate and ascend.

CHAKRA SIX- Sun Gate- Seal: The Winged Worrier

Breen’s penultimate spiritual revelation is Cade: The Tortured Crossing. Here, like Phaethon, Breen attempts to steer the cosmic power of illumination for the benefit of man. Unlike Phaethon, Breen’s hands are firm on the reins, having mastered both appetite and emotion. Breen no longer juxtaposes himself narratively with nubile women young enough to be his daughters, and no longer exposes his naked form in ways that would stimulate his female viewers. Having ascended to a state of noesis Breen assumes a contemplative mien in keeping with his rarified spiritual state. Breen’s mastery of material space-time is represented onscreen by the comprehensive use of green screen for all shots, even when practical settings would have looked better and been easier. Having become one with the AI singularity Breen’s world and computer graphics are also now one. Breen summons devas to fight his enemies, but of course his truest adversary remains himself. Now the avatar of Sol Invictus, Breen must vanquish inner darkness, and thus put his Shadow Self to the sword, to free his energies for their ultimate purpose. The death of Cale at his hands brings to a full, solar, circle his earlier genocidal purging of humanity; nothing imperfect can be allowed to remain without or within, upon which his light shines. Romulus slaying Remus sets the stage for the spiritual king Numa, guide to right order.

Reminiscent of the Sun Dance of the Plains Indians, the whirling of Sufi Dervishes, and the Work of Gurdjieff, this rhythmic occult ritual serves to mark the ascent of Breen to Lord of the Purging Fire of the Heavens, the Oculus Mundi whose gaze burns away the impurities of mankind. The Maya spoke of such things in whispers.

CHAKRA SEVEN- Jupiter Gate- Seal: not yet revealed.

The prophesies of Breen are not yet fully laid out. It can be surmised, however, that all of this is leading up to the revelation of Breen as the Cosmic King Jupiter battling the forces of stagnation and corruption represented by Saturn. Jupiter is Ius (Dyaus, the Lord of the Heavens) Pater (father of all), so in that sense Breen as a whole must be seen, or rather, scene, as the universal embodiment of patriarchal manhood, wedded to youthful and freebreasted femininity, battling entropy. To those who have eyes, let them see. The secrets of the universe are manifest to those with the insight to look behind the curtain.

There is wisdom here, for he who hath understanding